Download e-book for iPad: A Century in Books: Princeton University Press 1905-2005 by Staff PrincetonUniversity Press

By Staff PrincetonUniversity Press

ISBN-10: 069112292X

ISBN-13: 9780691122922

All of it started atop a drugstore in Princeton, New Jersey, in November 1905. From its modest beginnings, Princeton college Press used to be to turn into one of many world's most vital scholarly publishers, embracing a wealth of disciplines that experience enriched our cultural, educational, and medical panorama. either as a tribute to our authors and to have fun our centenary, Princeton college Press right here offers A Century in Books. This superbly designed quantity highlights a hundred of the approximately 8,000 books we have now released. inevitably winnowed from a far greater record, those books most sensible typify what has been longest lasting, so much defining, and so much detailed approximately our publishing history--from Einstein's The that means of Relativity (1922) to the varied mathematical and different works that marked the Press's watershed decade of the Nineteen Forties, together with von Neumann and Morgenstern's concept of video games and fiscal habit; from milestones of literary feedback via Erich Auerbach and Northop Frye to George Kennan's Pulitzer Prize-winning e-book on Soviet-American relatives; from Milton Friedman and Anna Jacobson Schwartz's A financial background of the us, 1867-1960 to more moderen landmarks comparable to L. Luca Cavalli-Sforza, Paolo Menozzi, and Alberto Piazza's The heritage and Geography of Human Genes and Robert Shiller's Irrational Exuberance. ln addition to succinct descriptions of the a hundred titles and a brief advent at the heritage of the click, the publication positive factors 5 essays through favorite students and writers: Michael wooden discusses the impression on Princeton college Press of intellectuals who fled Nazi Germany and authored many influential books. Anthony Grafton recounts our wealthy publishing culture in heritage, politics, and tradition. Sylvia Nasar strains our evolution right into a best voice in economics publishing. Daniel Kevles displays on Einstein, a determine of distinctive significance to Princeton. And Lord Robert might writes on our long-standing culture of publishing in arithmetic and technology. A Century in Books is greater than a party of a hundred years of publishing at Princeton college Press--it is a treasure trove of a hundred years of books that experience further to the richness of twentieth-century highbrow existence.

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Conkwright paid special attention to materials as well, selecting a warm-toned laid sheet (textured paper) that he developed with the Curtis Paper Company. The sense of elegance and decorum in Conkwright’s series design was widely recognized, and The Papers of Thomas Jefferson quickly became a model for historical papers published by other university presses. Conkwright’s other major works for the Press include The Papers of Woodrow Wilson, The Writings of Henry D. Thoreau, and Charles De Tolnay’s five-volume Michelangelo.

There he wrote Mimesis, publishing it in German after the end of the war. Displaced as he was, Auerbach produced a work of great erudition that contains no footnotes, basing his arguments instead on searching, illuminating readings of key passages from his primary texts. His aim was to show how from antiquity to the twentieth century literature progressed toward ever more naturalistic and democratic forms of representation. This essentially optimistic view of European history now appears as a defensive—and impassioned— response to the inhumanity he saw in the Third Reich.

Rudge’s successful printing plant in Mount Vernon, New York. Warde, a self-described perfectionist, created works that were classic in design and feel. As a result of underinking and a light impression, his pages were intentionally gray, light, and even. During his brief tenure, Warde jump-started Princeton University Press’s program of quality design and printing. Pleasant Jefferson (“P. ”) Conkwright joined the Press in , coming from the University of Oklahoma. As the Press’s chief designer and typographer from  until , Conkwright earned widespread recognition among both design and scholarly communities, transforming Princeton into a center of tasteful and innovative design.

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